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Concerto for clarinet and orchestra (piano reduction) by Ida Gotkovsky

Concerto for clarinet and orchestra (piano reduction) by Ida Gotkovsky. Editions Musicales Transatlantiques, 1968, SS, 42 + 15 pages. Ida Gotkovsky (1933-) is a French composer who studied with Nöel Gallon, Oliver Messiaen, Tony Aubin and Nadia Boulanger. She has won many prizes for her compositions. Concurs du Conservatoire National Supérieur de Musique de Paris and dedicated Ulysse Delecluse. In three movements: 1. Misterioso-quasi cadenza-ad libitum, 2. Perpetuum Mobile (Prestissimo), and 3. Final. Prof. Heim wrote: The first movement begins with a long section of ad libituum (but measured) clarinet passages with limited participation by the accompaniment. The third movement has two cadenzas: the first begins the movement and is one page long; the second is brief (in the middle of the movement). This concerto is of major proportions and is reminiscent of Bozza's style and, in a limited way, the Tomasi concerto. The clarinet part demands a facile, quick and flexible virtuosic technique although the range is just a little over three octaves. The pianist has a difficult part with many full chords requiring all fingers and many passages in octaves. The harmonic material is complex with some polytonality, mixed seventh chords and added tones while the melodic material for clarinet can be lyric but is usually flamboyant. This work has excellent music and is at the top of the literature for the most advanced player. (C1578)

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