From the Clarinet d'Amour to the Contra Bass by Albert R. Rice. Oxford University Press, 2009, HB. 485 pages. Following his much acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets. Each chapter is devoted to a specific instrument (or instruments) or its music, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras was the result of experiments meant to address specific musical needs. Along the way, he brings to life the musicians, virtuosi, soloists, and orchestral and band musicians, as well as the instruments' makers and the composers from J. C. Bach to Smetana who wrote for them. Based on careful study of primary sources - musical compositions, patents, memoirs and diaries, and unfettered access to historical instruments themselves. There are references throughout the book to color illustrations that are available here on the web. (C1394)